2022
- 6 Emerging US Cities for Contemporary Art, Testudo Editorial
- Project-Based Roles Across Industries: What an Art Curator and Digital Project Manager Have in Common, Viget Blog
- Introduction to U.S. Community Mural Movements, Testudo Editorial
- The 7 Must-See Exhibitions in California this Fall, Testudo Editorial
- Cara Bonewitz: Chasing Shadows at the Architectural Foundation, Santa Barbara, LUM Art Zine
2021
- The Monumental Impact of a Judy Baca Mural in Los Angeles, Hyperallergic
- An Exquisite Tribute to Terry Adkins at the Pulitzer Arts Foundation, Hyperallergic
2020
- Stirring Video Art Questions the Notion of “Freedom,” Contornos de Libertad at Los Angeles Contemporary Exhibitions (LACE), Hyperallergic
- What Happens After the Mural of a Controversial Figure Is Removed? CLEANSE in Philadelphia, Hyperallergic
- During Pandemic, Artist-Parents Reflect and Get Creative With Their Kids, Hyperallergic
- Uncovering the Legacy of María Sodi de Ramos Martínez, East of Borneo
2019
- Alfredo Ramos Martínez’s Modernism / El Modernismo de Alfredo Ramos Martínez, Exhibition Brochure, Santa Barbara Museum of Art
- “Finding Connections Between a 1960s Artist Commune and an Ancient Mayan Community,” Beatriz Cortez at Craft Contemporary, Hyperallergic
2018
- “A Vibrant Arts Community Bridges Two Sides of the Border,” Being Here With You / Estando aquí contigo: 42 Artists from San Diego and Tijuana at Museum of Contemporary Art San Diego, Hyperallergic
- “The Tuba Thieves at SBCC’s Atkinson Gallery,” Santa Barbara Independent
- “Nina Chanel Abney’s Intricately Dense and Critically Clear Painting,” Hyperallergic
- “Reinstalling a Transcendent TV Artwork by Nam June Paik Decades Later,” Hyperallergic
- “This Week in Art: Theaster Gates’ ‘Black Madonna’ in Basel, Pedro Reyes on Puppets, & Artists Raised on the Internet,” Art21 Magazine, Rights of Passage Issue
- “This Week in Art: For Freedoms Launches the 50 State Initiative, Nick Cave Takes Over the Park Avenue Armory, & More,” Art21 Magazine, Rights of Passage Issue
- “UCSB Student Art Exhibition Takes Center Stage,” Santa Barbara Independent
- “This Week in Art: Havana’s #00Bienal, Contemporary Artists on Climate Change, & Tania Bruguera’s Artivism,” Art21 Magazine, Rights of Passage Issue
- “This Week in Art: ‘Art in the Twenty-First Century,’ Diana Al-Hadid’s First Public Art Project, and More,” Art21 Magazine, Rights of Passage Issue
- “This Week in Art: Caroline Woolard & Pedro Reyes Work with Refugee Communities, New Jack Whitten Exhibition in Baltimore, and More,” Art21 Magazine, Rights of Passage Issue
- “The Japanese-American Painter Who Chronicled Early 20th-Century Life in the US,” Hyperallergic
- “This Week in Art: Mel Chin Takes Over New York City, Theaster Gates Talks Sculpture, and More,” Art21 Magazine, Rights of Passage Issue
- “Yumiko Glover’s Paintings Examine Japanese History, Youth Culture, Technology,” Santa Barbara Independent
- “Linda Stein Sculpture: Body Armor for 21st Century Amazons,” Santa Barbara Independent
- “Herself: Girlhood in Stop-Motion Film at SBCC,” Santa Barbara Independent
- “Brought to Light: Revelatory Photographs on Exhibit at SBMA,” Santa Barbara Independent
- “Cecily Brown: Rehearsal,” Santa Barbara Independent
2017
- “Empathy in Training: Kerry Tribe’s Standardized Patient,” Art21 Magazine, Empathy Issue
- “Tomas Rafa: New Nationalisms at MoMA PS1,” Art21 Magazine, Inspired By A True Story Issue
- “Recycled Brilliance: Philadelphia’s RAIR,” Art21 Magazine, Rust Issue
- “Photographing Philly’s Streets,” Art21 Magazine, Rust Issue
- “Art on the Border,” Art21 Magazine, Balance Issue
- “ICP’s Momentous and Magnificent Perpetual Revolution: The Image and Social Change,” Art21 Magazine, Momentum Issue
- “The Role of Online Archives in Contemporary Art and Activism,” Art21 Magazine, Momentum Issue
2016
- “Cheryl Pope and the Poetics of Yelling,” Art21 Magazine, Chicago Issue
- “Anthony Hernandez’s Brilliantly Ordinary LA,” Art21 Magazine, Los Angeles Issue
- “Erin Dunn Animating the Pine Barrens,” Art21 Magazine, Illusion Issue + Catalogue Essay for Erin Dunn: Oceanic Dancer, CUE Art Foundation
- “From Zoetrope to GIF and Back,” Art21 Magazine, Illusion Issue
- “Eve Sussman and Simon Lee Stage an 18-Chapter Multimedia Installation in Philadelphia,” Artsy Editorial
2015
- “The Great Hall Exhibition Walead Beshty Impressions,” IFA Contemporary
- “Standing in ReForm,” The Artblog
- “El País en el que las paredes hablan,” El Faro Acadmico
- “Why this Venice Biennale is so political,” Public Walls
- “Contemporary Mexican Photographers at Bronx Documentary Center,” The Artblog
2014
- “Material Histories Presents its Artists-in-Residence at the Studio Museum in Harlem,” The Artblog
- “Without the Wall explores identity and incarceration at Philadelphia’s City Hall,” The Artblog,
- “Art and influence — Interchange at The Galleries at Moore,” The Artblog
- “Reveiw – Gentrification Tales,” The Architect’s Newspaper
- “The Murals of El Salvador: Reconstruction, Historical Memory and Whitewashing,” Public Art Dialogue
- “Familiar streets: Gregory Prestegord at F.A.N. Gallery,” The Artblog
- “Interview with the artist: Mia Rosenthal’s plans for her Leonore Annenberg Fellowship,” The Artblog
- “Tlisza Jaurique glitters at Taller Puertorriqueño,” The Artblog
- “Book review: Mural Arts @ 30,” The Artblog
- “Be Alarmed: The Black Americana Epic by Tiona McClodden,” The Artblog
- “Prison Obscura at Haverford’s Cantor Fitzgerald Gallery,” The Artblog
2013
- “Soun-Gui Kim in conversation with Cage, Derrida and Nancy,” The Artblog
- “Beyond the Paint – Philadelphia’s Mural Arts on View at PAFA,” The Artblog
- “The Start of a Long Journey – Young artists from China on Display at Drexel,” The Artblog
- “Asian Arts Initiative Transforms Pearl Street with a Community Block Party,” The Artblog
- “Collaboration is the Basis for Anti-Violence Project, One Year, at the Rotunda,” The Artblog
- “Why St. Louis doesn’t have better art criticism – and how it can,” The St. Louis Beacon
- “Summer in Zurich,” The Artblog
- “Berlin in June,” The Artblog
- “Changing Scenes – Points of View in Contemporary Media Art,” The Artblog
- “Systemic Devotion at Crane Arts Gallery 102,” The Artblog
- “After Art Basel – Miami is a great place for contemporary art,” The Artblog
- “New Philly Ink – Young printmakers at the Brandywine Workshop,” The Artblog
- “In Support of Ken Johnson: PAFA’s Forum on Gender and Race in Contemporary Art,” The Artblog
- “Other People’s Property: Hank Willis Thomas at Haverford’s Cantor Fitzgerald Gallery,” The Artblog
2012
- “Images of Havana by three photographers at Dalet Gallery,” The ArtBlog
- “Photographic Memory, the latest film by Ross McElwee,” The ArtBlog
- “Dialogo 365 at City Hall,” The ArtBlog
- “Review: Nelson’s ‘Songs’ brighten Atrium Gallery,” The St. Louis Beacon
- “Review: Kemper offers important glimpse of inspiration,” The St. Louis Beacon
- “Review: ‘Clasp’ at Craft Alliance highlights the body as landscape,” The St. Louis Beacon
- “Review: Zinsser brings bold strokes to Philip Slein,” The St. Louis Beacon
- “Review: B. Wurtz Demands Attention at White Flag,” The St. Louis Beacon
- “Ashley Hunt — Art, Participation, Social Engagement, a Talk at Temple Contemporary,” The ArtBlog
- “Review: Joan Hall’s work transforms the Bruno David Gallery,” The St. Louis Beacon
- “Review: The myriad forms of ‘Paper,'” The St. Louis Beacon
- “Review: ‘Biotextural Landscapes’ blooms at Good Citizen,” The St. Louis Beacon
- “Beyond the wall – Aquí y Allá gives voice to teens in South Philly and Mexico,” The ArtBlog
- “Kukuli Velarde’s slide talk leaves the audience dancing at Taller Puertorriqueño,” The ArtBlog
- “El Salvador: The Politics of Art and Memory,” The Pulitzer Center for Crisis Reporting
- “Archbishop Orders the Destruction of Salvadoran Mural,” The Pulitzer Center for Crisis Reporting
2010
- “El Salvador,” La Voz, November 2010
- “RAC opens its doors, literally, to 9 artists,” The St. Louis Beacon